Several Viennese musical curiosities

Karl Nagl’s claim that, unlike the Germans, Viennese organ-grinders are musicians, because they have “crank-sense.” And female yodelling with Dudlerinnen Trude Mally and Maly Nagl.

Trude Mally.

On the French penchant for inventing things already in existence elsewhere

François Dominique Séraphin, Bourbon favourite and reputedly the father of ombres chinoises (shadow puppetry), began operating 15 years later than is generally thought, and may have copied his techniques from an itinerant Italian or a London Alsatian. Featuring the memoirs of the valet to the later Louis XVII, early descriptions of the delights of the renovated Palais Royal (including a pygmy show), jolly old Baron Grimm on the lamentable state of French opera, shadow plays, and marionettes, and William Beckford’s favourite designer of theatrical perversions.

Philip James de Loutherbourg's Eidophusikon around 1782.

Three Russian rooster animations

“Big cock” and “The old man and the cock are versions of “Medio pollico” / “Demi-coq”, and “Why the cock wears shorts” is something else.

But this *is* my good side!