I’ve just rung the Pope to report this Marian vision, drifting across a nearby wall in low autumn sunshine. I think it’s a whole lot more convincing than the Rev Andrew Nutter’s 1994 Our Lady of Yankalilla because it uses natural lighting and thus appears only in certain seasons, reaffirming religion’s role in keeping time ticking along.
The statue is, of course, Barcelona’s Nostra Senyora de la Mercè, on top of the eponymous basilica. This is the lady who, according to the council, encouraged Jaume I and his mates to go off and kill some Moors in the thirteenth century and then reappeared conveniently in the seventeenth to slaughter a plague of locusts. (Locusts were often seen as mini-dragons, and the Moors were popularly supposed to have left behind dragons when they headed south, but I don’t know if there is a connection.)
However, the interesting bit is always what the council doesn’t tell you. A book (which someone appears to have walked off with) notes that the statue is a relic of the dictatorship: it seems that after the war the authorities thought they’d kill a number of locusts with one cast, carted off bronzes of nationalist and socialist leaders from the Ciutadella park, and converted them into one big bad mother of a vulture-virgin. And she’s still there, being crapped on by the pigeons.
- Trompe-l’Å“il ascent to Heaven of Our Lady of Mercy, Barcelona
This time-lapse video reduces some 38 minutes to 2.5. The great bronze Vulture and Child on top of the Basilica de
- Locus’ focus
“The whole municipal district of Fuentes de Ebro found itself invaded by a terrible plague of locusts which covered all the
- They want our money but they don’t want our participation
Lenox’s take on the tourism department in Mojácar, where, including unregistered residents, there are probably at least as many British- as
- Bonaparte moon
A double reflection makes up the man who was born on the thirteenth day of the moon, lost his throne on the
- The Queen of Iznatoraf
A little more reading (Encyclopedia of Arabic Literature, Hispano-Arabic Literature and the Early Provençal Lyrics) suggests (possibly unjustly) that Wallada was