Napoleon II’s Pulcinella toy & the Empire’s collapse
A tragic gallery dealing with 1832: contemporary/posterior mise-en-scène? Plus images of Napoleon as Polichinelle.
Great tunes, great doggerel, small simians
A tragic gallery dealing with 1832: contemporary/posterior mise-en-scène? Plus images of Napoleon as Polichinelle.
François Dominique Séraphin, Bourbon favourite and reputedly the father of ombres chinoises (shadow puppetry), began operating 15 years later than is generally thought, and may have copied his techniques from an itinerant Italian or a London Alsatian. Featuring the memoirs of the valet to the later Louis XVII, early descriptions of the delights of the renovated Palais Royal (including a pygmy show), jolly old Baron Grimm on the lamentable state of French opera, shadow plays, and marionettes, and William Beckford’s favourite designer of theatrical perversions.
Was: How pleased I am to find both the Zarah Leander and the Nina Hagen versions of “Ich weiß, es wird einmal ein Wunder gescheh’n” on the line.