Were Zapatero to read the Bible as thoroughly as we Carpathian Independents, he’d be in a better position to understand the significance of the first photo-album of his glorious Alliance of Civilisations: the crowds sent to die in a desert in connivance with Morocco, the stigmata on the hands of those who make it over…
Seeing hordes of plump Barcelonans engaged in public Tai-chi–imagine Jackie Chan on lard–and reading of the dreadful internal purges inflicted by Johannes Itten–who seems to have believed himself a Tibetan monk–on Bauhaus students before the parties started, I remembered that I was going to translate a bit more Aub’s Campo cerrado. So here, at top…
“The Parallel has tree faces,” writes Max Aub in Campo cerrado, “day, night, and Sunday morning.” The Parallel–crammed with artistes and whores–was a key location in the rise of the anarchist gangsters for whom Orwell fought, yet the Church of England’s favourite anarchist seems to have missed it and various other crucial locations on the…
One of the surprises of Sergio Vila-Sanjuán and Sergi Doria’s Passejades per la Barcelona literària (“Walks in literary Barcelona”) is that it ignores Max Aub, whose Campo cerrado, the first part of a six-volume account of the war, is probably the best fictionalised version of the period leading to the events of July 1936 in…
Mark Liberman is being nasty to our beloved intellectuals, most of whom we manage to ignore most of the time. His frustration may arise from a misunderstanding of the role of the intellectual in European society, which is something like that of a Catholic bishop in the States. I think somewhere in Campo cerrado Max…
Check out and contribute to Joan Ducròs’ compilation of literary extracts based in Barcelona (via Carles Mirò). It includes inexplicable exclusions from a similarly themed book I read recently (eg Max Aub), and I’m sure it will shortly add great stuff like self-confessed con-artist Jan Cremer‘s encounter with the Guardia Civil and the prostitutes of…
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