Yorkshire Almanac 2026

Unedited excerpt

If an excerpt is used in the book, it will be shorter, edited and, where applicable, translated.

(281). 1836, May 30th. Albinia Chaloner. St. Michael, Spurrier-Gate, in the City of York. Age 45. [The last burial in York Minster.]

In her will, dated 12 Nov., 1830, Albinia Chaloner, of Low Ousegate, in the city of York, spinster, desires to “be interred in the Cathedral Church of York, next to my Aunt Mrs. Elizabeth Chaloner (see No. 250), and that a plain Monument be erected to the memory of both by my executor bereinafter named.” — All to Marian, wife of Geo. Woodall, of York, woollen-draper. — Said Geo. W. sole executor. [Pro. 11 Feb. 1837.)

The testatrix, who is not named in the pedigree of the Chaloners of Guisborough, in Ord’s Cleveland, was probably the daughter of Capt. Edward James Chaloner, of Lincoln, a younger son of William Chaloner. esq. of Guisborough.

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To facilitate reading, the spelling and punctuation of elderly excerpts have generally been modernised, and distracting excision scars concealed. My selections, translations, and editions are copyright.

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Comment

Via John Bibby (Bibby 2022), who adds that both ladies were related to “Banking Bob” Chaloner.

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• Burial (12) W/G ·
• Robert Chaloner (MP) (1) W/G ·
• 📌York Minster (28) W/G ·
• 📌York (165) W/G ·

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To facilitate reading, the spelling and punctuation of elderly excerpts have generally been modernised, and distracting excision scars concealed. My selections, translations, and editions are copyright.

Comment

Comment

Via John Bibby (Bibby 2022), who adds that both ladies were related to “Banking Bob” Chaloner.

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Similar

12 April 0627: In a triumph for his Kentish wife, Edwin of Northumbria is baptised on Easter Sunday by Paulinus, in the latter’s wooden oratory on the site of York Minster

22 September 1465: A menu for the enthronement at Cawood Castle of George Neville as Archbishop of York

19 June 1892: The Liberal politician Viscount Morley attends morning service at York Minster

21 January 1837: The gravestone of 25-year-old Charlotte Hall, today the first tenant of the York Cemetery

1 February 1829: Jonathan Martin’s attempt to burn down York Minster is frustrated by a frolicsome chorister

7 January 1397: On the longest of the 42 days of his carnivalesque reign, boy-bishop John de Cave of York goes on a 200-mile begging spree

28 October 1683: York’s governor fails to provoke a duel with someone who borrowed his cushion at the minster

12 June 1578: Edwin Sandys, Reformation Archbishop of York, cracks down on fun

13 June 1635: A Puritan talks to the gardener at York of the notorious miser and swindler, Sir Arthur Ingram

18 September 1858: The Spectator is bowled over by the new Leeds Festival chorus’s singing of the Messiah – “the music text-book of the West Riding”

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To facilitate reading, the spelling and punctuation of elderly excerpts have generally been modernised, and distracting excision scars concealed. My selections, translations, and editions are copyright.

Comment

Comment

Comparison with the piece from The Spectator on the same day suggests to me that their critic is referred to above:

The Leeds Musical Festival terminated with The Messiah on the morning of Saturday last. In the performance of the solo parts there was nothing remarkable, the principal singers being the usual metropolitan celebrities, Madame Clara Novello, Miss Dolby, Mr. Sims Reeves, and Mr. Weiss; but the choruses were sung in a manner which the metropolis certainly has never been able to equal. We have already had occasion to notice the superiority of the choristers of Birmingham to those of Exeter Hall, notwithstanding their inferiority in numerical strength: at Leeds the same observation held good in a still more remarkable degree. At Exeter Hall the choral and instrumental band numbers above 700; at Birmingham it numbered about 500; at Leeds under 350: while the real power of these tuneful hosts was in the inverse ratio of their numbers. The Birmingham 500 excelled the London 700, while the Leeds 350 excelled both the one and the other. The Yorkshire choristers are the best in England, if not the best in the world; and all the Leeds choristers were Yorkshire people belonging to the working classes, drawn from the towns and villages of that musical land. Among them there was not one useless individual: they all had sound, mellow, English voices; they all thoroughly knew their parts, and consequently sang without hesitation or wavering, and their united voices formed a volume of pure musical sound which we have never heard equalled elsewhere by twice their number. Of all the districts of England the great county of York is the best able to furnish the materials for a great music-meeting; and in former times it was in the city of York that the greatest of the English Festivals was held, though it has been long since crushed by the interference of clerical bigotry. We are glad that a new Yorkshire Festival has been established. Like that of Birmingham, it is independent of the abused power of ecclesiastical dignitaries: and as the people of Leeds have emulated those of Birmingham in spirit and energy, their Festival has a fair prospect of rivalling the other in durability and magnitude. And this prospect is all the greater for the design, (which we understand, is contemplated) of rendering the Leeds Festival, like that of Birmingham, a permanent establishment, with triennial meetings for one charitable object, the benefit of the General Infirmary, a charity of great and extensive usefulness.

The financial result of this first Music Meeting at Leeds has been highly favorable. The audiences at the seven morning and evening performances amounted on an average to 2000 persons at each; the whole amount received has been about 75001, while the expenditure is estimated at 6000l: so that the charity will be benefited to the extent of about 1500l.

The appointment of Professor Sterndale Bennett (who, in addition to his high talents and reputation, is a Yorkshireman born) to the office of conductor, gave general satisfaction from the outset, and the vigour and ability with which he performed his duties, enhanced greatly the excellence of the performances and the success of the Festival.
(Spectator 1858/09/18)

George Bernard Shaw, however:

Down to 1877 the majority of the committee never got beyond the primitive notion that a great musical event was one at which Tietjens sang and Costa conducted. It was not until she died and he repudiated the committee that Leeds at last found out that familiarity with The Messiah, Elijah and the overture to William Tell, was not the climax of nineteenth-century musical culture.

Can someone point me to something about the York festival?

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