From a tip by the Nun, the story that Hans’ dad, Louis, used to drive to gigs with a bicycle trailer containing bandoneon and drums, working entire evenings for four marks – this presumably before hyper-inflation. And at home there was an old (?!) electric piano with a remote music roll mechanism on which he…
Featuring a passing neighbour of the maker, Diabolus.org: I’m awaiting somewhat trepidly surgery which I hope will clean up what little is left of my left inner and middle ear and put in some kind of replacement (posts here and here; latest addition to the lexicon, cholesteatoma, incipient; the Messiah), but between various other recent…
amanda steggell: The Emotion Organ (2007) is a synaesthetic simulacrum machine where players can explore the sensational interplay of feeling, seeing, hearing, smelling and motion. It is also a time machine – a re-engineered pump organ from 1895 that combines both old and emerging technology and builds upon a trajectory of several centuries-worth of ideas…
I was thinking about simple visual metaphors to communicate organ works, but digressed. Cue Nick’s World of Synthezisers. Favourite quote, from the slinkyfied Springatron: “I used the golden ratio to work out the lengths of the springs, this was to prevent resonances occurring at the same frequencies and at harmonically related frequencies.”