Yorkshire On This Day, Comprising 365 Historical Extracts, Red-letter Days and Customs, and Astronomical and Meteorological Data
Walter Scott. 1888. Marmion. London: Cassell and Company. Get it:
.If an excerpt is used in the book, it will be shorter, edited and, where applicable, translated.
Then Whitby’s nuns exulting told,
How to their house three Barons bold
Must menial service do;
While horns blow out a note of shame, 235
And monks cry ‘Fye upon your name!
In wrath, for loss of silvan game,
Saint Hilda’s priest ye slew.’-
‘This, on Ascension-day, each year,
While labouring on our harbour-pier, 240
Must Herbert, Bruce, and Percy hear.’-
They told how in their convent-cell
A Saxon princess once did dwell,
The lovely Edelfled;
And how, of thousand snakes, each one 245
Was changed into a coil of stone,
When holy Hilda pray’d;
Themselves, within their holy bound,
Their stony folds had often found.
They told, how sea-fowls’ pinions fail, 250
As over Whitby’s towers they sail,
And, sinking down, with flutterings faint,
They do their homage to the saint.
I haven’t yet investigated the origins of the legends used by Scott, e.g. via https://www.jstor.org/stable/1253948
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26 May 1941: Headingley’s Shire Oak falls, legendary site of Anglo-Saxon local government between Aire and Wharfe
David Clarke:
[T]he idea of Anglo-Saxon identity exerted a strong influence upon writers who collected folklore in Hallamshire, the geographical region that became the city of Sheffield in the modern county of South Yorkshire… [T]hat identity coalesced around two folk heroes, Earl Waltheof and Robin Hood (Robin of Loxley), who are portrayed in literature and folklore as ethnic Saxon rebels who fought against Norman occupation of the region. Both also came to symbolise the region’s independence of spirit and its rebelliousness. Today they are regarded as distinctly English national folk heroes, but their complex links with the folklore of southwest Yorkshire is less well known. During the nineteenth century, their legends became part of an imagined heritage based upon ideas of Anglo-Saxon indigeneity to Britain. As a result, folklore interacted with history to create a hybrid of fact, story and interpretation that persists to the present day… The rebel traditions of [southwest Yorkshire are] reflected in Victorian literature. Barczewski (2000, 132) notes that, ‘virtually every major fictional text written after 1820 features the conflict between Saxon and Norman as a prominent motif,’ and this division is projected backwards in accounts of the history and folklore of southwest Yorkshire. The most influential example is Sir Walter Scott’s Ivanhoe (1820). His novel is set in the twelfth century, a generation after the Norman Conquest, and the narrative is located geographically in the valley of the River Don… Scott (1820; 2000, 15) says, ‘here flourished in ancient times those bands of gallant outlaws, whose deeds have been rendered so popular in English song.’ The plot of Ivanhoe is centred upon an imagined, ongoing struggle between dispossessed Saxons and their Norman lords that post-dated the Norman Conquest. Significantly, the outlaw Robin Hood – ‘Locksley’ – is both a central character and a figurehead for the freedom fighters.
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Place-People-Play: Childcare (and the Kazookestra) on the Headingley/Weetwood borders next to Meanwood Park.
Music from and about Yorkshire by Leeds's Singing Organ-Grinder.