Now! Then! 2024! - Yorkshire On This Day

A Yorkshire Almanac Comprising 366 Historical Extracts, Red-letter Days and Customs, and Astronomical and Meteorological Data

27 February 1717: Julia Calverley of Esholt Hall completes ten panels of needlework currently displayed at Wallington Hall, Northumberland

Walter Calverley. 1886. Memorandum Book of Sir Walter Calverley, Bart. Yorkshire Diaries and Autobiographies in the Seventeenth and Eighteenth Centuries. Ed. Samuel Margerison. Durham: Surtees Society. Get it:

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Excerpt

My wife finished the sewed work in the drawing-room, it having been three years and a half in doing. The greatest part of it has been done with her own hands. It consists of ten panels. The same day I planted the new orchard in the Holme.

To facilitate reading, the spelling and punctuation of elderly excerpts have generally been modernised, and distracting excision scars concealed. My selections, translations, and editions are copyright.

Abbreviations:

  • ER: East Riding
  • GM: Greater Manchester
  • NR: North Riding
  • NY: North Yorkshire
  • SY: South Yorkshire
  • WR: West Riding
  • WY: West Yorkshire

Comment

Comment

Carol Leather has cast an expert eye over the panels in situ:

Displayed on the walls were 10 huge needlepoint panels, reaching almost to the ceiling. They were worked in the early 1700s by Lady Julia Calverley, shown in the painted portrait to the right of the panels. As they only took 3 years to make, it is unlikely that she made them all herself! The central panel is dated 1717. They were brought to Wallington, Northumberland in 1755 by Julia’s son, after he sold Esholt Hall… The work was done in tent stitch using wool and silk. The design is thought to be based on oriental textiles which were being imported into England at that time (Leather N.d.)

Margaret Swain writes:

[Another screen by Julia Calverley] and the ten wall panels … offer useful evidence that the domestic needlewoman was capable of executing large pieces, for which a frame was required, with a consummate degree of skill, provided the design on the canvas was well drawn. In the absence of documentary evidence, such as exists in the case of Lady Julia Calverley’s needlework, it is often tempting to suppose that any large piece of embroidery, or large set of chair covers, must have been produced in a professional workroom, if they are well drawn and well worked (Swain 1975).

Unfortunately, the anonymous portrait of Lady Calverley made ten years previously ([English School] 1706/7) doesn’t show her hands in detail:

Arthur Ponsonby comments that in his day the panels decorated a bedroom at Wallington (Ponsonby 1923).

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Original

My wife finished the sewed work in the drawing-room, it having been three years and a half in doing. The greatest part of it has been done with her own hands. It consists of ten panels. The same day I planted the new orchard in the Holme.

49 words.

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