On the French penchant for inventing things already in existence elsewhere

François Dominique Séraphin, Bourbon favourite and reputedly the father of ombres chinoises (shadow puppetry), began operating 15 years later than is generally thought, and may have copied his techniques from an itinerant Italian or a London Alsatian. Featuring the memoirs of the valet to the later Louis XVII, early descriptions of the delights of the renovated Palais Royal (including a pygmy show), jolly old Baron Grimm on the lamentable state of French opera, shadow plays, and marionettes, and William Beckford’s favourite designer of theatrical perversions.

Philip James de Loutherbourg's Eidophusikon around 1782.

Capnolagnia and liberty in Russia

I don’t think author and diplomat Juan Valera (“Good should always be in fashion”) will mind me revealing his smoking fetish, now he’s been dead 100 years. Here‘s a quick tranny of an 1850 letter from Russia: On May 8th, Russian style, I left Saint Petersburg for Moscow on the noon train, accompanied by a…