Last week I was talking to a puppeteer about doing music theatre, and I thought I’d make a short example of using the street organ to accompany stage action.
As you probably know, Stravinsky’s marvellous ballet Petrushka brings not only a puppet to life: the Shrovetide fair scene at the beginning uses real musicians to recreate accordions, a barrel organ and a music box.
I thought I’d sweep away the nostalgia and mechanise everything (apart from the video, of course, which is Bolshoi), using the long-lost score which was localised by Stravinsky for the first London performance using English folksongs ;):
More photos of street organists (and of hurdy-gurdy men: they’re distinct) over at Poemas del río Wang.
If you’re interested in organs and theatre, quite soon you will visit Mr Stravinsky & Co and their lenten feast. Some
- Donald for Dalai Lama, or Pope, or Caliph, or something
A Trump Taj Mahal Casino multitrack jukebox, to help make religion rather better than it has been, again.
Petrushka, accordeons and theatre lead inevitably to the best film ever: The tranny plumping up his chest to make the wedding guests
- Paintings by Yefim Ladizhinsky of street organs accompanying shows
A guy winding a handle isn’t much to look at, so it was cool to find this site dedicated to Yefim
- Where did Petersburg’s organ-grinders go in winter?
I fear only some of them migrated with the swallows. Featuring Boris Sadovskoy, Yuri Norstein, Aleksey Batalov, Rolan Bykov and Gogol.