Leonardo Da Vinci’s plagiarism of la Moreneta almost foretold
Pío Baroja got pretty damn close to the Catalunacy of José Luis Espejo in La dama errante.
Great tunes, great doggerel, small simians
Pío Baroja got pretty damn close to the Catalunacy of José Luis Espejo in La dama errante.
The musical, by Richard Strauss.
No budget, no morals.
And a great train-wreck song.
But what was Mr Wandersahen’s real name?
Cinema for animals.
Of sausages, sugarcandy, daggers on helmets, sharp-bladed collars, pills, and billiard balls, with a note on zombie destruction.
Why the guillotine should not be Spain’s tumbril-filler in the coming revolution.