Newly uncovered evidence shows that, following the fire which destroyed his Russian theatrical business in 1836, he and his family pursued a career in London and Europe, before repeating their Petersburg triumphs in the USA and Australia. Also, a very curious copyright case.
François Dominique Séraphin, Bourbon favourite and reputedly the father of ombres chinoises (shadow puppetry), began operating 15 years later than is generally thought, and may have copied his techniques from an itinerant Italian or a London Alsatian. Featuring the memoirs of the valet to the later Louis XVII, early descriptions of the delights of the renovated Palais Royal (including a pygmy show), jolly old Baron Grimm on the lamentable state of French opera, shadow plays, and marionettes, and William Beckford’s favourite designer of theatrical perversions.
The latest barrel organ news from Hackney, London.
Working out how to implement two autonomous psychotic dwarf robots.
Restif de la Bretonne goes one step beyond Shakespeare and says that poetry is the language of Gods and beasts, and that reason speaks in prose.